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Büchenhausen Lexikon / Büchsenhausen Lexicon

Internationales Fellowship Programm für Kunst und Theorie 2003 - 2013 International Fellowship Program for Art and Theory 2003 - 2013

Produktform: Buch / Einband - flex.(Paperback)

Verlag: Künstlerhaus Büchsenhausen, Auflage 1, 320 Seiten

Erscheinungsdatum: 31.03.2014

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Subjectivation in Political Theory and Contemporary Practices

Produktform: E-Buch Text Elektronisches Buch in proprietärem

Verlag: Palgrave Macmillan UK, 353 Seiten

Elektronisches Format: PDF

Erscheinungsdatum: 25.12.2016

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Subjectivation in Political Theory and Contemporary Practices

Produktform: Buch / Einband - fest (Hardcover)

Verlag: Palgrave Macmillan UK, Auflage 1, 353 Seiten

Erscheinungsdatum: 04.01.2017

128,39 € inkl. MwSt.
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Subjectivation in Political Theory and Contemporary Practices

Produktform: Buch / Einband - flex.(Paperback)

Verlag: Palgrave Macmillan UK, Auflage 1, 353 Seiten

Erscheinungsdatum: 13.11.2020

128,39 € inkl. MwSt.
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Suspended

Produktform: Buch / Einband - fest (Hardcover)

Verlag: Fotohofedition, Auflage 1, 143 Seiten

Erscheinungsdatum: 26.04.2013

33,00 € inkl. MwSt.
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Aesthetic Journalism

How to Inform Without Informing

Produktform: Buch / Einband - flex.(Paperback)


As the art world eagerly embraces a journalistic approach, Aesthetic Journalism explores why contemporary art exhibitions often consist of interviews, documentaries and reportage. This new mode of journalism is grasping more and more space in modern culture and Cramerotti probes the current merge of art with the sphere of investigative journalism. The attempt to map this field, here defined as ‘Aesthetic Journalism’, challenges, with clear language, the definitions of both art and journalism, and addresses a new mode of information from the point of view of the reader and viewer. The book explores how the production of truth has shifted from the domain of the news media to that of art and aestheticism. With examples and theories from within the contemporary art and journalistic-scape, the book questions the very foundations of journalism. Aesthethic Journalism suggests future developments of this new relationship between art and documentary journalism, offering itself as a useful tool to audiences, scholars, producers and critics alike.

Verlag: Künstlerhaus Büchsenhausen, Auflage 1, 112 Seiten

Erscheinungsdatum: 30.09.2009

23,00 € inkl. MwSt.
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Lichten

Produktform: Buch / Einband - fest (Hardcover)

Verlag: Fotohofedition, 88 Seiten

Erscheinungsdatum: 01.08.2007

29,00 € inkl. MwSt.
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Marianna Christofides

Days In Between

Produktform: Buch / Einband - fest (Hardcover)


● A critical exploration of the Balkans ● Long-term project based on a 16mm essay film ● Artist book, reader and visual essay in one

Verlag: Hatje Cantz Verlag, Auflage 1, 272 Seiten

Erscheinungsdatum: 07.04.2021

40,00 € inkl. MwSt.
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Social Engine

The Hybrid Source Book

Produktform: Buch

Verlag: Künstlerhaus Büchsenhausen, Auflage 1, 127 Seiten

Erscheinungsdatum: 01.07.2008

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Private Investigations

Paths of Critical Knowledge Production in Contemporary Art

Produktform: Buch


For some time now, one aspect of contemporary art has been en vogue in theoretical discussions: art as a field of, and medium for, the production of specific knowledge. Especially in relation to the discipline that the academic establishment calls “artistic research,” the persistent need for a stable basis for artistic knowledge production has been continually emphasized—above all in academia; knowledge production in art, so the mantra goes, must go hand in hand with a socially critical (self-)reflexive approach toward art and its producers. In the globalized knowledge-based society of the twenty-first century, we are told, art must position itself quickly in order to assert its own social relevance and insure itself in the long run. With such arguments, the academic standardization of artistic criticality is aided and “tenured” by national educational policy. Yet can this top-down criticality, standardized through academic curricula, have any real impact outside a self-referential framework? Despite all its good intentions, does this not rather serve to entrench existing hegemonies and (distribution) economies of knowledge? And what alternative strategies might be used to counter an increasingly dominant discourse on the theory and practice of “artistic research?” This book is not primarily intended as a formulation of a theory in opposition to the hegemonic idea of “artistic research.” Instead, the practitioners — who because of their respective practices are hastily shelved as “artistic researchers”— are given the opportunity to speak up for themselves. An integral commonality among the artists and cultural producers presented here is that their investigative practices are able to resist this categorization. These are private investigations, artistic practices that attempt to infiltrate hegemonic discourses of knowledge, like those found not least of all in the art context itself, while simultaneously proposing individual paths for acquiring and processing knowledge.

Verlag: Künstlerhaus Büchsenhausen, Auflage 1, 144 Seiten

Erscheinungsdatum: 08.11.2011

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