The series is a platform for contributions of all kinds to this rapidly developing field. General problems are studied from the perspective of individual languages, language families, language groups, or language samples. Conclusions are the result of a deepened study of empirical data. Special emphasis is given to little-known languages, whose analysis may shed new light on long-standing problems in general linguistics.

The series is a platform for contributions of all kinds to this rapidly developing field. General problems are studied from the perspective of individual languages, language families, language groups, or language samples. Conclusions are the result of a deepened study of empirical data. Special emphasis is given to little-known languages, whose analysis may shed new light on long-standing problems in general linguistics.

This book is a selected collection of the scholarly production on Middle and New Persian literature by professor emeritus Bo Utas, Uppsala University, presented to him on his 70th birthday. Out of 19 articles, 15 are in English and four in French. Of special interest is an article entitled ‘‘Genres in Persian literature 900 to 1900’’. Other articles deal with, among other subjects, the influence from Sufism on the Classical Persian poetry, non-religious Book Pahlavi literature, Modern Persian literature, New Persian prosody, and manuscript edition.

Misbâh ul-arvâh, or The Lantern of Spirits, is a comparatively little known Sufi didactic Persian poem written in the 12th century by the next to unknown Shaikh Shams ud-dîn Muhammad b. Îl-Tughân Bardasîrî Kirmânî. It is not a very long poem, covering only 1099 double verses (bait), but it contains both a quite comprehensive compendium of Sufi teachings and a very interesting description of the soul’s journey to the Other World. The latter furnishes fascinating parallels with Dante’s Divina Commedia. The book gives a detailed description of the contents of the poem, with many examples of it’s eloquent verse in translation. The main part of the book, however, gives a critical edition of the Persian text, based on the twelve oldest known manuscripts that contain the poem, the eight oldest of which are dated, making a detailed reconstruction of the original text possible.