The present volume „Wissensraum Film“ („Film as Knowledge Space”) concentrates on two aspects: knowledge and spaces in film. Main focus lies on the relevance of a relational concept of space in analyzing filmic production of knowledge: How does film create spatial structures and thus specific formations of knowledge? The eleven articles describe and discuss on a theoretical level scientific, political, entertainment, and art film as well as documentaries with regard to their spatiality and epistemic effects. The films investigated are correlated with other types of media and non-filmic discourses.

The series Culture and Conflict aims to promote a dynamic, pluridisciplinary dialogue meant to discuss the multiple ways in which conflict influences, supports or constrains the production of meaning in modernity. It publishes innovative original scholarship from the fields of literary and cultural studies as well as media, visual and film studies. Culture and conflict inevitably go together. The very idea of culture is marked by the notion of difference and creative, i.e., conflictual interaction. Differential markers, such as self and other, inside and outside, high and low, pure and dirty, old and new, support the key themes of the study of culture, e.g., identity and diversity, memory and trauma, translation of cultures and globalization, mediation and exclusion. The new series Culture and Conflict aims to promote a dynamic, pluridisciplinary dialogue meant to discuss the multiple ways in which conflict influences, supports or constrains the production of meaning in modernity. It publishes innovative original scholarship from the fields of literary and cultural studies as well as media, visual and film studies.