This study provides a precise definition of the term ‘intrigue’, which has not been a defined term in the medieval studies so far. The analysis is based on a selection of Middle High German novels and epics from the 12th to the 14th century. In addition to their significance for the narrative structure, intrigues prove to be alterable, possible courses of actions for complex, multidimensional characters within the MGH literature. As an interface between drama, plot dynamics and development of characters, intrigues are interwoven with official and private power constellations and provide new impetus to the debate about fictionality in narrative stories of the Middle Ages.