This medium tempo straight-eighth feel piece is moody, obtuse, even “spooky”, and offers an interesting programmatic change. Originally written for saxophones, this arrangement works equally well using the optional parts for a trumpet/flugelhorn and trombone. Instrumentation: 5 saxophones (SATTBar) with piano, guitar (ad lib), double bass, percussion

A burning, up-tempo blues, patterned after Oliver Nelson’s own version, which can be heard on “More Blues and the Abstract Truth.” Originally written for saxophones, this arrangement works equally well using the optional parts for a trumpet/flugelhorn and trombone. Instrumentation: 5 saxophones (AATTBar) and piano, guitar (ad lib), double bass, percussion