The Altdeutsche Textbibliothek [Old German Text Library] is the series of editions of German medieval texts with the richest history. Founded in 1881 by Hermann Paul, it has been edited by leading Germanists – Georg Beasecke, Hugo Kuhn, Burghart Wachinger. Since 2001, responsibility for the series has rested with Christian Kiening.In the meantime, the series comprises some 120 volumes, with an exemplary combination of closeness to the original manuscript(s) with ease of reading, philological accuracy with concern for university teaching. It includes recognised editions of “classical” authors from around 1200 – some with commentary – but also presents veritable editions of authors’ works (Notker the German) and high-quality new editions (Eckenlied, Heinrich von dem Türlin).

The Altdeutsche Textbibliothek [Old German Text Library] is the series of editions of German medieval texts with the richest history. Founded in 1881 by Hermann Paul, it has been edited by leading Germanists – Georg Beasecke, Hugo Kuhn, Burghart Wachinger. Since 2001, responsibility for the series has rested with Christian Kiening.In the meantime, the series comprises some 120 volumes, with an exemplary combination of closeness to the original manuscript(s) with ease of reading, philological accuracy with concern for university teaching. It includes recognised editions of “classical” authors from around 1200 – some with commentary – but also presents veritable editions of authors’ works (Notker the German) and high-quality new editions (Eckenlied, Heinrich von dem Türlin).

Dieser Tagungsbericht enthält die Ergebnisse des ersten Innsbrucker Orgelsymposiums 1977. Das Spektrum reicht von der Beleuchtung der Sozialgeschichte des Organisten über Fragen der Aufführungspraxis und des Spielrepertoires bis zu Problemen der Organologie und Restaurierung. Hierbei nimmt die Innsbrucker „Ebert- Orgel“ von 1558 eine zentrale Stellung ein.

Beiträge der Tagung „Musik im mittelalterlichen Dresden. Vom Werden einer Musikstadt“ zum 800. Ersterwähnungsjubiläum Dresdens und des 150. Gründungsjubiläums der Hochschule für Musik Carl Maria von Weber