The contributions in this volume assess the value of the acoustic in the Middle Ages and evaluate its importance in medieval literature. Although a great deal of research in Medieval Studies has focused on issues related to visuality, there has never been an in-depth study of the significance of auditivity in medieval courtly culture. The implications of sound and hearing have likewise remained unexamined. The essays (from John Greenfield, Harald Haferland, Susanne Knaeble, Andreas Kraß, Claudia Lauer, William Layher, Sylvan Wagner and Viola Wittmann) face the challenge of recovering that which seems to have faded away: the audible Middle Ages. Using a rigorous approach to examine acoustic phenomena and their reception in medieval texts and the cultures that produced them, this volume presents new insights about the richness of cultural production in the Middle Ages.