Das deutsche Nachkriegsdrama neu entdeckt. Die umfangreiche Studie untersucht 500 zwischen 1945 und 1961 entstandene Zeitstücke unterschiedlichster Inhalte, Tendenzen und Formen. Thesen vom „Schweigen“ der Dramatik im Nachkriegsdeutschland werden durch diese Bestandsaufnahme einer kritischen Revision unterzogen.

In the late 18th and early 19th centuries, James Macpherson's Ossian was regarded as one of the most important works of world literature. The Celtic bard was elevated to the status of "Homer of the North" (Madame de Staël), and his poetry to the "Mother of Romanticism" (Uhland, Jean-Paul). At the same time, he presents the prototype of the sentimental poet by looking back to the past with "sweet sorrow" and providing aesthetic compensation for the distance from the ideal. The present study undertakes the first comprehensive account of German "Ossianomania" and provides access to important textual material. The theoretical basis is provided by a post-structuralist take on models of receptive aesthetics and discourse analysis. Volume 1 deals with the Poems of Ossian, contemporary discourses and the early stages of the reception of Ossian's work. Volume 2 deals with the main and late stages of the reception. Volumes 3 and 4 present the German translations underlying the reception and the most important reader testimonies.

In the late 18th and early 19th centuries, James Macpherson's Ossian was regarded as one of the most important works of world literature. The Celtic bard was elevated to the status of "Homer of the North" (Madame de Staël), and his poetry to the "Mother of Romanticism" (Uhland, Jean-Paul). At the same time, he presents the prototype of the sentimental poet by looking back to the past with "sweet sorrow" and providing aesthetic compensation for the distance from the ideal. The present study undertakes the first comprehensive account of German "Ossianomania" and provides access to important textual material. The theoretical basis is provided by a post-structuralist take on models of receptive aesthetics and discourse analysis. Volume 1 deals with the Poems of Ossian, contemporary discourses and the early stages of the reception of Ossian's work. Volume 2 deals with the main and late stages of the reception. Volumes 3 and 4 present the German translations underlying the reception and the most important reader testimonies.

In the late 18th and early 19th centuries, James Macpherson's Ossian was regarded as one of the most important works of world literature. The Celtic bard was elevated to the status of "Homer of the North" (Madame de Staël), and his poetry to the "Mother of Romanticism" (Uhland, Jean-Paul). At the same time, he presents the prototype of the sentimental poet by looking back to the past with "sweet sorrow" and providing aesthetic compensation for the distance from the ideal. The present study undertakes the first comprehensive account of German "Ossianomania" and provides access to important textual material. The theoretical basis is provided by a post-structuralist take on models of receptive aesthetics and discourse analysis. Volume 1 deals with the Poems of Ossian, contemporary discourses and the early stages of the reception of Ossian's work. Volume 2 deals with the main and late stages of the reception. Volumes 3 and 4 present the German translations underlying the reception and the most important reader testimonies.

In the late 18th and early 19th centuries, James Macpherson's Ossian was regarded as one of the most important works of world literature. The Celtic bard was elevated to the status of "Homer of the North" (Madame de Staël), and his poetry to the "Mother of Romanticism" (Uhland, Jean-Paul). At the same time, he presents the prototype of the sentimental poet by looking back to the past with "sweet sorrow" and providing aesthetic compensation for the distance from the ideal. The present study undertakes the first comprehensive account of German "Ossianomania" and provides access to important textual material. The theoretical basis is provided by a post-structuralist take on models of receptive aesthetics and discourse analysis. Volume 1 deals with the Poems of Ossian, contemporary discourses and the early stages of the reception of Ossian's work. Volume 2 deals with the main and late stages of the reception. Volumes 3 and 4 present the German translations underlying the reception and the most important reader testimonies.

In the late 18th and early 19th centuries, James Macpherson's Ossian was regarded as one of the most important works of world literature. The Celtic bard was elevated to the status of "Homer of the North" (Madame de Staël), and his poetry to the "Mother of Romanticism" (Uhland, Jean-Paul). At the same time, he presents the prototype of the sentimental poet by looking back to the past with "sweet sorrow" and providing aesthetic compensation for the distance from the ideal. The present study undertakes the first comprehensive account of German "Ossianomania" and provides access to important textual material. The theoretical basis is provided by a post-structuralist take on models of receptive aesthetics and discourse analysis. Volume 1 deals with the Poems of Ossian, contemporary discourses and the early stages of the reception of Ossian's work. Volume 2 deals with the main and late stages of the reception. Volumes 3 and 4 present the German translations underlying the reception and the most important reader testimonies.