demonstrates the crucial significance of looking at theatrical performance for rethinking critical inquiry. Leah Garland closely analyzes the theoretical tools with which prominent theater artists – Cherríe Moraga, Carmelita Tropicana, Coco Fusco, and Não Bustamante – challenge neocolonial parameters for self-examination. Garland shows how the self-affirmative maneuvers that these artists deploy reconceptualize the subject in literary theory.weiterlesen