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Critical Race Theory and Copyright in American Dance

Whiteness as Status Property

Produktform: E-Buch Text Elektronisches Buch in proprietärem

The effort to win federal protection for dance in the United States was a racialized and gendered contest. Picart traces the evolution of choreographic works from being federally non-copyrightable to becoming a category potentially copyrightable under the 1976 Copyright Act, specifically examining Loíe Fuller, George Balanchine, and Martha Graham.weiterlesen

Elektronisches Format: PDF

Sprache(n): Englisch

ISBN: 978-1-137-32197-8 / 978-1137321978 / 9781137321978

Verlag: Palgrave Macmillan US

Erscheinungsdatum: 07.11.2013

Seiten: 243

Autor(en): C. Picart, Caroline Joan S. Picart

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