Huang Po-Chih (* 1980 in Taoyuan) belongs to a generation of artists socialized in a time of democratic reform and rapid economic growth in Taiwan. Huang’s multidisciplinary practice, which encompasses various artistic media as well as literature, agribusiness, textile manufacturing, and social entrepreneurship, reflects Taiwan’s changing identity discourse over the past decades: from an inward-looking narrative governed by Japanese occupation, the role in the Cold War, and claims of sovereignty from the People’s Republic of China to a transnational vision that takes local, East Asian, and global perspectives into account.weiterlesen