explores the materiality of media technologies and their impact on the avant-garde of the late twentieth century. The essays of the volume range between different art forms (literature, film, music, visual art, performance) and bridge the same contested cultural divides – high and low, ideology and form, art and everyday life – that were once challenged by the avant-garde. Ranging in topics from the Beach Boys to Herbert Eimert, from Scandinavian forests to Warhol’s Factory, the perspectives established and the operations performed in thus traverse a network of art and technology that has been crucial for more than half a century, and still is today.weiterlesen