17 Beiträge, resultierend aus den Vorträgen, gehalten beim Internationalen Symposium ´Mikrotöne: Small is Beautiful" (30.6.-4.7.2023) in Salzburg. Inhaltsverzeichnis: Agustín Castilla-Ávila: Prologue, p.4 Navid Bargrizan: Just Intonation, Dastgāh-Music, and Scordatura in Kupferteich, p.7 Katarzyna Bartos: Between freedom and structure in Iluzje by Adam Porębski, p.14 Jonatan Carrasco Hernández: The use of Pure Data for the automatic creation of microtonal scales used in the fixed media work Tenoni, p.22 Jim Dalton: Privileging Interval over Scale: Using Free-Style Just Intonation to Achieve Scale-less Bohlen-Pierce, p. 29 Katarzyna Daszkiewicz: Does microtonal mean apocalyptic? Paweł Mykietyn’s Ładnienie for baritone, microtonal harpsichord and string quartet, p. 37 Karin De Fleyt: Temporality layers in Xi for flute solo by Karlheinz Stockhausen, p. 52 Vytautas Germanavičius: In Search of Archaic Code as a Symbol of the Interval Structure in Folk Music Scales, p. 58 Nikolaus Gerszewski: The Microchromatic Perspective, p.75 Martin Gut: 60EDO in Günther Rabl´s tape composition Landschaft mit Pianist, p. 82 Franck Jedrzejewski: Petr Chernobrivets and the 20-Tone Universe, p. 94 Gerhard Klösch: The Sliding Keyboard, a new pure tonal instrument; part 2: Applications, p.104 Klaus Lang, Martin Ritter, Alyssa Aska, Pablo Mariña: Imagination as the instrument of the composer: developing the Frescobaldi enharmonic keyboard enhancement, p.112 John Schneider: The global Guitar Music of Lou Harrrison, p. 125 Ulf-Diether Soyka: Queer Pitch? p. 135 Siegfried Steinkogler: Ludus Microtonalis - a new Method to learn the Basics of microtonal Music, p. 145 Luke Villavicencio: Simplifying the Understanding and Composition of Microtones with Microtonal Planes, p. 150 Richard Whalley: Microtones and Landscape: Introducing Lud´s Chuch, written for Stephen Altoft´s 19-div Trumpet, p. 157weiterlesen