Contents: Tomi Mäkelä: Towards a Theory of lnternationalism, Europeanism, Nationalism and Co-Nationalism in 20th-century Music - Arnold Whittall: Personal Style, Impersonal Structure? Music Analysis and Nationality. - Peter Dickinson: Nationalism is not Enough: A Composer's Perspective. - Ilkka Oramo: Beyond Nationalism. - Kalevi Aho: Music, Nationality and Society. - Erkki Toivanen: The Allure of Distant Strains: Musical Receptiveness of the Anglo-Saxon. - Matti Vainio: How Modernism Came to Finland? An Exposition of the History of Ideas. - Erkki Saimenhaara: Finnish Music in the 20s and 30s: lnternationalism vs. Nationalism. - Mikko Heiniö: The Main Trend in Finnish Music in the 1970s and 1980s and the Problem of "Finnishness". - Matti Huttunen: Nationalistic and Non-Nationalistic Views of Sibelius in 20th-century Finnish Music History Writing. - Lewis Foreman: English Musical Character: Intrinsic or Learned? - Raymond Monelle: Scottish Music, Real and Spurious. - Malcolm MacDonald: Aspects of Scottish Musical Nationalism in the 20th Century, with special reference to the Music of F. G. Scott, Ronald Center and Ronald Stevenson. - Jeremy Dibble: Musical Nationalism in Ireland in the Twentieth Century: Complexities and Contradictions. - Axel Klein: An "old eminence among musical nations". Nationalism and the Case for a Musical History in Ireland. - Alain Frogley: 'Getting ist History Wrong': English Nationalism and the Reception of Ralph Vaughan Williams. - Gunnar Sundberg: National Parallels in the Orchestral Works of Jean Sibelius and Arnold Bax: Focusing on Their Symphonic Language. - Kauko Karjalainen: Nationalism in Leevi Madetoja's Operatic Works. - Helena Tyrväinen: The Solitary Way of Uuno Klami. - Editor: Tomi Mäkelä, Professor of Musicology at the University of Magdeburg, Germanyweiterlesen