This edited collection challenges what might be understood as “popular music analysis” by giving readers insights into previously understudied repertoires; cross-idiom and pan-historical analytical methods; intermediality and media convergence; and the relationship between popular music aesthetics, production, and the sounds we hear. As such, this book is at the forefront of demonstrating how musicological and analytical approaches can reach into diverse domains, thereby building new bridges between popular music analysis and other fields while simultaneously producing valuable insights related to how music informs the human condition.weiterlesen