The clandestine festival QueerBeograd created spaces of critique and transformation to foster intersectional perspectives. Ivana Marjanovic explores the festival's transnational activist cabaret production between 2006 and 2008 and investigates historical genealogies of gender and political difference in the former and post-Yugoslav space. As the only existing academic literature of this scale on the subject, this study demonstrates how the process of staging QueerBeograd Cabaret created a shared space between queer, anti-fascism and no-borders politics, contributing to the advancement of the intersectionality perspective beyond identity.weiterlesen