C. Bode: Voice, Text, Mediality – Romantic Self-Positioning A. Esterhammer: Romantic Voices, Romantic Curses A. Harding: Rehabilitating Romantic Poetic Voice M. Class: Self-consciousness in Wordsworth’s The Prelude J. Gurr: Conflicting Evaluations of Sense Perceptions in The Prelude C. Reinfandt: World and Voice K. Merten: Plays on the Essential Passions of Men Ute Berns: The Politics of Revolution H. Grundmann: Coleridge’s Teleology of Language M. Procházka: Between Hoax and Ideology: Biographia Literaria, Ch. 13 S. Allan: Ghostly Voices R. Karl: The Powers of Metaphor and Self-Divestment M. Bruhn: Keats’s Wretched Taste N. Lennartz: Apocalyptic Voices N. Oueijan: Echoes from the Orient in Romantic Visions N. Roe: Leigh Hunt’s Juvenilia M. O’Neill: Romantic Poetry and Some Twentieth-Century Heirsweiterlesen