This Handbook offers new and fresh comparative arguments in the field of New Cinema History. Featuring leading figures in the development of New Cinema History, it addresses an aspect of its subject that has been frequently called for but not previously delivered in so concentrated and comprehensive a form: comparative studies of cinema audiences, exhibition, and related concerns. Engaging with cutting edge scholarship, and with an emphasis on comparative studies and geographic inclusivity, it will advance the field of New Cinema History on a global scale, and be an indispensable compendium when discussing the relationship between film industry and cinema-going practices across different political and cultural geographical dimensions. weiterlesen