This collection of essays is a milestone in the establishment of translation theory within the field of Russian literature and culture, an area that has been neglected in the Anglophone world. The volume is defined by the contributors’ insistence that translation should be viewed as the accommodation of a new text within the host culture.

publishes studies across the entire extent of Russian literature, thought and culture from the medieval period to the present. The series gives special emphasis to the kinds of transformation that characterise Russian, Soviet and post-Soviet writing. Transformation has often been under the stimulus of (and resistance to) foreign traditions. Acts of cross-cultural and cross-literary reception mark Russia's sense of creative development and national identity.

examines the impact of the Gothic-fantastic on Russian literature in the period 1920-1940. The volume shows how Soviet authors drew on the traditional archetypes of the genre, such as the castle, the body, vampires, ghosts, villains, madness, and unnatural death, presenting a revisionist challenge to the view of Soviet literature as strictly rational.