This original composition conveys a feeling of introspection and emotional upheaval periodically experienced throughout the course of one’s life. An odd metered vamp is featured for all the saxophones to solo over. Instrumentation: 4 saxophones (SATBar)

This piece is a 24-bar blues featuring a slightly extended harmonic structure. It should be played with a ternary feel in a groovy, relaxed mood. Paying special attention to phrasings will yield best results. Instrumentation: 4 saxophones (SATBar/AATBar)

This arrangement of the famous aria not only offers a professional approach to the chorale, but also provides the perfect opportunity for students of different skill levels to play together in an ensemble. Instrumentation: 4 trombones/tenor horns

The exercises in this book are constructed towards two ends: finger strength and facility, and harmonic thinking at the keyboard. Instrumentation: piano

Harmoniemusik – Music for Wind Instruments arranged for Saxophone Quartet in Four Volumes. Dating back to circa 1770, “Harmoniemusik” – music for wind instruments –was originally conceived for wind orchestras. Scored for wood and brass instruments, it was mainly performed at open-air concerts and as “Tafelmusik” (table music). The standard instrumentation used to include pairs of oboes, clarinets, horns and bassoons forming a wind octet; the ensemble was often complemented by additional bass instruments such as a double bassoon, a double bass or further wind instruments. Mostly, it was the composers themselves who arranged their works for wind instruments. This does not hold true for the original Barber of Seville “Harmoniemusik”. It was written by the clarinetist Wenzel Sedlák. The version on hand takes up “Harmoniemusik” tradition and transposes the magnificent melodies of this opera into a contemporary musical setting via saxophone quartet. Instrumentation: 4 saxophones (SATBar)

The third movement of the suite is a rhythmically grooving 12/8 feel that features the tenor and baritone saxophones. Instrumentation: 4 saxophones (SATBar)

This lively dance is the first of four movements from Holst’s suite. This arrangement has been transposed down a whole step from the original to make it more accessible to saxophone performers. Instrumentation: 5 saxophones (SAATBar)

This intense ballad was written for Tom Harrell to be featured on flugelhorn. The entire sax section doubles on woodwinds: flute, 3 B flat clarinets, bass clarinet. Instrumentation: big band

In the form of a classic 12-bar blues, this boogaloo is written in concert B flat and has plenty of room for improvisation. Instrumentation: 4 saxophones (SATBar/AATBar)