Grieg made piano arrangements of both his Peer Gynt suites and published them simultaneously with the orchestral suites in 1888 and 1893. He subsequently made further adjustments in the piano pieces: shortening some, for example ‘Morning’, and expanding others like ‘The Death of Åse’. Overall, Grieg reduces the dramatic orchestral conception in favour of a more intimate expression and more restrained effects. Instrumentation: piano op. 46 and 55