The Hevajra Tantras and teachings of the 'Path with Its Fruit' (lam ‘bras) that originated in India have been central practices of Tibetan tantric Buddhism for a millenium. The Tibetans translated eight Hevajra transmissions with their tantras, commentaries, rituals, and instructions and authored countless scriptures in the context of the tantra and the 'Path with Its Fruit' that originated with the Indian Mahasiddha Virupa. Drawing on title lists (dkar chag), colophones, and commentaries authored between the 11th and 17th centuries, the author attempts a reconstruction of the Indian and Tibetan corpora of these transmissions, its literary history and relations to one another.

Since the 12th century, a central feature of Buddhism in Tibet was its harmonizing of tantric practice with the moral codes of monastic discipline and Bodhisattva altruism. All masters maintained the vajrayana or tantric path to be superior to the two „lower“ codes, but they described this superiority differently. In the present study, Jan-Ulrich Sobisch explores for the first time in detail the three main strategies maintained by the oldest Tibetan schools for explaining the relations of the three codes.

The series publishes monographs and collective volumes contributing to the emerging field of manuscript studies (manuscriptology), which includes disciplines such as philology, palaeography, codicology, art history, and material analysis. SMC encourages comparative approaches, without geographical or other limitations on the material studied; it contributes to a historical and systematic survey of manuscript cultures, and provides a new foundation for current discussions in Cultural Studies.

The series publishes monographs and collective volumes contributing to the emerging field of manuscript studies (manuscriptology), which includes disciplines such as philology, palaeography, codicology, art history, and material analysis. SMC encourages comparative approaches, without geographical or other limitations on the material studied; it contributes to a historical and systematic survey of manuscript cultures, and provides a new foundation for current discussions in Cultural Studies.

The series publishes monographs and collective volumes contributing to the emerging field of manuscript studies (manuscriptology), which includes disciplines such as philology, palaeography, codicology, art history, and material analysis. SMC encourages comparative approaches, without geographical or other limitations on the material studied; it contributes to a historical and systematic survey of manuscript cultures, and provides a new foundation for current discussions in Cultural Studies.